Музикантите могат да изберат дълго заглавие за своето творение по много причини. Певците и авторите на песни изразяват своите мисли и чувства по безброй начини чрез музиката. С дълго заглавие на песен, групите и артистите често предават послание, което е театрално изразително и се отнася до лично преживяване. Понякога в заглавията на песните се използва странно чувство за хумор или елементи на мрачен сарказъм.
Какво символизират песните с дълги заглавия?
Песните с дълги заглавия могат да символизират множество идеи и концепции. Всеки музикант обича да предава смисъл или послание чрез текстовете си.
Започваме с Топ 10:
А ето и останалите:
11. “A Little Less Sixteen Candles, a Little More “Touch Me””—Fall Out Boy
12. “There’s a Good Reason These Tables Are Numbered Honey, You Just haven’t Thought of it Yet”—Panic! At the Disco
13. “Pretty Soon I Don’t Know What but Something Is Going to Happen”—Norma Jean
14. “I’m Not Bulimic (I Just Wanted To See How Far I Could Stick My Fingers Down My Throat)”—Lower Than Atlantis
15. “Until You Come Back to Me (That’s What I’m Gonna Do)”—Aretha Franklin
16. “I Like America & America Likes Me”—The 1975
17. “Send My Love to the Dance Floor I’ll See You in Hell (Hey Mister DJ)”—Cobra Starship
18. “Grand theft Autumn/Where is Your Boy”—Fall Out Boy
19. “The Black Hawk War, or, How to Demolish an Entire Civilization and Still Feel Good About yourself in the Morning, or, We Apologize for the Inconvenience but You’re Going to Have to Leave Now, or, I have Fought the Big Knives and Will Continue to Fight Them Until They Are off Our Lands!”—Sufjan Stevens
20. “Anyone Can Dig a Hole But it Takes a Real Man to Call it Home”—Underoath
21. “For a Pessimist, I’m Pretty Optimistic”—Paramore
22. “If You Wanted A Song Written About You, All You Had to Do Was Ask”—Mayday Parade
23. “Saturday Night’s Alright for Fighting”—Elton John
24. “It Don’t Mean a Thing (If It Ain’t Got That Swing)”—Lady Gaga and Tony Bennett
25. “My Songs Know What You Did in the Dark (Light Em Up)”—Fall Out Boy
26. “I’d Do Anything for Love (But I Won't Do That)”—Meat Loaf
27. “Breakup With Your Girlfriend, I’m Bored”—Ariana Grande
28. “When the World Is Running Down, You Make the Best of What's Still Around”—The Police
29. “The Yeah Yeah Yeah Song (With All Your Power)”—The Flaming Lips
30. “One Day the Only Butterflies Left Will Be in Your Chest as You March Towards Your Death”—Bring Me the Horizon
32. “The Glorious Liberation of the People's Technocratic Republic of Vinnland by the Combined Forces of the United Territories of Europa”—Type O Negative
33. “If I Said You Had a Beautiful Body Would You Hold it Against Me”—The Bellamy Brothers
34. “Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict”—Pink Floyd
35. “Why’d You Call Me When You’re High?”—Arctic Monkeys
36. “There’s No Such Thing As Accidental Infidelity”—You Me At Six
37. “Cute Without the ‘E’ (Cut From the Team)”—Taking Back Sunday
38. “The Girl I Love She Got Long Black Wavy Hair”—Led Zeppelin
39. “No Need for Introductions, I’ve Read About Girls Like You on the Backs of Toilet Doors”—Bring Me the Horizon
40. “Spring Can Really Hang You Up the Most”—Ella Fitzgerald
41. “A Woman a Man Walked By/The Crow Knows Where All the Little Children Go”—PJ Harvey
42. “God Bless America – And All the Beautiful Women in It”—Lana Del Rey
43. “How Could You Believe Me When I Said I Loved You When you Know I’ve Been a Liar All My Life”—Fred Astaire and Jane Powell
44. “When We Stand on Each Other We Block Out the Sun”—Fireworks
45. “You Might Think He Loves You for Your Money but I Know What he Really Loves You For It’s Your Brand New Leopard Skin Pillbox Hat”—Death Grips
46. “Snow Tha Product: Bzrp Music Sessions, Vol. 39”—Bizarrap and Snow Tha Product
47. “You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, or Any Other Domestic Shortcomings)”—Faces
48. “Don’t Sit Down ‘Cause I’ve Moved Your Chair”—Arctic Monkeys
49. “Stuck Inside of Mobile with the Memphis Blues Again”—Bob Dylan
50. “The Difference Between Medicine and Poison is the Dose”—Crica Survive
51. “Does Anybody Really Know What Time It Is?”—Chicago
52. “Get Down On Your Knees and Tell Me You Love Me”—All Time Low
53. “Life's a Lemon and I Want My Money Back”—Meat Loaf
54. “Get Out of My Dreams, Get Into My Car”—Billy Ocean
55. “Petrified Life and the Twice Told Joke (Decrepit Bricks)”—Gym Class Heroes
56. “Don’t Come Home A-Drinkin’ (With Lovin’ On Your Mind)”—Loretta Lynn
57. “When It’s All Over We Still Have to Clear Up”—Snow Patrol
58. “The Whole Thing Started with Rock & Roll, Now It's Out of Control”—Ray Manzarek
59. “Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini”—Brian Hyland
60. “Everybody's Got Something to Hide Except From Me and My Monkey”—The Beatles
61. “It Takes a Lot to Laugh, It Takes a Train to Cry”—Bob Dylan
62. “Are You the One That I’ve Been Waiting For”—Nick Cave & the Bad Seeds
63. “Elderly Woman Behind the Counter in A Small Town”—Pearl Jam
64. “Mammas Don’t Let Your Babies Grow Up to be Cowboys”—Ed Bruce
65. “The Ones That Didn’t Make it Back Home”—Justin Moore
66. “If You Can’t Ride Two Horses at Once…You Should Get Out of the Circus”—Asking Alexandria
67. “It’s A Long Way to the Top (If You Wanna Rock ‘n’ Roll)”—AC/DC
68. “Rocket Man (I Think It’s Going to Be a Long, Long Time)”—Elton John
69. “Why'd You Come in Here Lookin’ Like That”—Dolly Parton
70. “Have You Seen Your Mother, Baby, Standing in the Shadows”—Rolling Stones
71. “If You’ve Got the Money, I’ve Got the Time”—Lefty Frizell
72. “There's No Lights on the Christmas Tree, Mother, They're Burning Big Louie Tonight”—The Sensational Alex Harvey Band
73. “I Just Started Hating Some People Today”—Beck
74. “This Ain’t a Scene, It’s An Arms Race”—Fall Out Boy
75. “I'm Getting Better (And I'm Feeling It Right Now)”—The Record Company
76. “What Di I Do? / God As My Witness”—Foo Fighters
77. “It’s Not Living (If It’s Not With You)”—The 1975
78. “You Know What They Do to Guys Like Us in Prison”—My Chemical Romance
79. “I Can't Help It (If I'm Still in Love With You)”—Hank Williams
80. “Tinker Tinker Soldier Sailor Rich Man Poor Man Beggar Man Thief”—Radiohead
81. “So Long, And Thanks for all the Fish”—A Perfect Circle
82. “Tie a Yellow Ribbon Round the Ole Oak Tree”—Tony Orlando and Dawn
83. “Dead City Radio and the New Gods of Supertown”— Venomous Rat Regeneration Vendor
84. “It Hurts To Shoot Lasers From Your Fingers, But It's Necessary”— Black Moth Super Rainbow & The Octopus Project
85. “Is There Somebody Who Can Watch You?”—The 1975
86. “So You Don’t Have to Love Me Anymore”—Alan Jackson
87. “Let Me Love You (Until You learn To Learn Yourself)”—Ne-Yo
88. “We Are Never Ever Getting Back Together”—Taylor Swift
89. “Don’t Go Out into the Rain (You’re Going to Melt)”—Herman’s Hermits
90. “You and the Clouds Will Still Be Beautiful”—XTC
91. “The Ground Walks, with Time in a Box”—Modest Mouse
92. “The Remedy for a Broken Heart (Why Am I So in Love)”—XXXTentacion
93. “Some of My Lies Are True (Sooner or Later)”—Huey Lewis & the News
94. “Don’t Play No Game That I Can’t Win”—Beastie Boys
95. “Headfirst Slide into Cooperstown on a Bad Bet”—Fall Out Boy
96. “My Baby’s Got a Smile on Her Face”—Craig Wayne Boyd
97. “I'd Like to Teach the World to Sing (In Perfect Harmony)”—The New Seekers
98. “Roll Me Up With Smoke When I Die”—Willie Nelson featuring Snoop Dogg, Jamey Johnson and Kris Kristofferson
99. “A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heart Breaking Guy”—The Supremes
100. “A Lap Dance Is So Much Better When the Stripper Is Crying”—The Bloodhound Gang
Идеята зад включването на дълго заглавие варира драстично сред музикантите. Докато при някои те се появяват естествено по време на творческия процес, други изпълнители и групи съзнателно избират този подход, за да придадат оригиналност и характер на своите произведения. Дългите формати на заглавията станаха изключително популярни в рок жанровете, особено сред алтернативните, инди, метъл и емо групите, припомня HubPages.
Въпреки че някои групи и артисти обичат просто да се забавляват с подбора на заглавия, за да предизвикат реакция у слушателите, много певци и автори на песни допълват своите творби с дълго заглавие, за да изведат концептуално скрито значение. Понякога думите в песните с най-дълги заглавия са избрани, за да се асоциират с някого или нещо.
Някои заглавия на песни са реакция на изказвания, направени от приятел, познат или член на семейството. Такива песни често изливат емоции по театрално ясен начин. Понякога музикантите могат да се заядат с някого, като умело формулират заглавията на песните си. Друг път думите в дългите заглавия са избрани, за да предизвикат чувство на любопитство или мистицизъм. Мрачните перспективи често се показват с думи, подредени в заглавията на песните. Певците и авторите на песни могат също така да разкрият брутално честен разказ за някого или нещо. Носталгичен спомен от личния живот понякога се превръща в заглавие. Исторически събития, които са повлияли на музикантите, също се подчертават като заглавия на песни.
Списъкът по-долу представя разнообразна колекция от рок, поп, R&B, кънтри, фолк, алтернативни, хип-хоп, инди, емо, джаз, блус и денс песни с дълги заглавия. Ако имате мнение, гледна точка или предложение за песен, винаги можете да ни уведомите в коментарите:
“I’m Like a Lawyer with the Way I’m Always Trying to Get You Off (Me & You)”—Fall Out Boy
“You Probably Couldn’t See for the Lights but You Were Staring Straight At Me”—Arctic Monkeys
“Hope Is a Dangerous Thing for a Woman Like Me to Have - but I have It”—Lana Del Rey
“(Hey Won’t You Play) Another Somebody Done Somebody Wrong”—B.J. Thomas
“Lying is the Most Fun a Girl Can Have Without taking Her Clothes Off”—Panic! At the Disco
“Honey, This Mirror Isn’t Big Enough For the Two of Us”—My Chemical Romance
“What If This is All the Love You Ever Get?”—Snow Patrol
“The Adventures of Moon Man & Slim Shady”—Kid Cudi and Eminem
“It’s the End of the World as We Know It (And I feel Fine)”—R.E.M.
“If I’m James Dean, You’re Audrey Hepburn”—Sleeping With Sirens
88. “Regretting What I Said to You When You Called Me at 11.00 on a Friday Morning to Tell Me that at 1:00 Friday Afternoon You’re Gonna Leave Your Office, Go Downstairs, Hail a Cab to Go Out to the Airport to Catch a Plane to Go Skiing in the Alps for Two Weeks, Not that I Wanted to Go With You, I Wasn’t Able to Leave Town, I’m Not a Very Good Skier, I Couldn’t Expect You to Pay My Way, But After Going Out With You for Three Years I Don’t’ Like Surprises!! Subtitled: A Musical Apology”—Christine Lavin
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