100-те най-добри песни с дълги заглавия и какво символизират те

Какво символизират песните с дълги заглавия?

Песните с дълги заглавия могат да символизират множество идеи и концепции. Всеки музикант обича да предава смисъл или послание чрез текстовете си.

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А ето и останалите:

11. “A Little Less Sixteen Candles, a Little More “Touch Me””—Fall Out Boy

12. “There’s a Good Reason These Tables Are Numbered Honey, You Just haven’t Thought of it Yet”—Panic! At the Disco

13. “Pretty Soon I Don’t Know What but Something Is Going to Happen”—Norma Jean

14. “I’m Not Bulimic (I Just Wanted To See How Far I Could Stick My Fingers Down My Throat)”—Lower Than Atlantis

15. “Until You Come Back to Me (That’s What I’m Gonna Do)”—Aretha Franklin

16. “I Like America & America Likes Me”—The 1975

17. “Send My Love to the Dance Floor I’ll See You in Hell (Hey Mister DJ)”—Cobra Starship

18. “Grand theft Autumn/Where is Your Boy”—Fall Out Boy

19. “The Black Hawk War, or, How to Demolish an Entire Civilization and Still Feel Good About yourself in the Morning, or, We Apologize for the Inconvenience but You’re Going to Have to Leave Now, or, I have Fought the Big Knives and Will Continue to Fight Them Until They Are off Our Lands!”—Sufjan Stevens

20. “Anyone Can Dig a Hole But it Takes a Real Man to Call it Home”—Underoath

21. “For a Pessimist, I’m Pretty Optimistic”—Paramore

22. “If You Wanted A Song Written About You, All You Had to Do Was Ask”—Mayday Parade

23. “Saturday Night’s Alright for Fighting”—Elton John

24. “It Don’t Mean a Thing (If It Ain’t Got That Swing)”—Lady Gaga and Tony Bennett

25. “My Songs Know What You Did in the Dark (Light Em Up)”—Fall Out Boy

26. “I’d Do Anything for Love (But I Won't Do That)”—Meat Loaf

27. “Breakup With Your Girlfriend, I’m Bored”—Ariana Grande

28. “When the World Is Running Down, You Make the Best of What's Still Around”—The Police

29. “The Yeah Yeah Yeah Song (With All Your Power)”—The Flaming Lips

30. “One Day the Only Butterflies Left Will Be in Your Chest as You March Towards Your Death”—Bring Me the Horizon

32. “The Glorious Liberation of the People's Technocratic Republic of Vinnland by the Combined Forces of the United Territories of Europa”—Type O Negative

33. “If I Said You Had a Beautiful Body Would You Hold it Against Me”—The Bellamy Brothers

34. “Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict”—Pink Floyd

35. “Why’d You Call Me When You’re High?”—Arctic Monkeys

36. “There’s No Such Thing As Accidental Infidelity”—You Me At Six

37. “Cute Without the ‘E’ (Cut From the Team)”—Taking Back Sunday

38. “The Girl I Love She Got Long Black Wavy Hair”—Led Zeppelin

39. “No Need for Introductions, I’ve Read About Girls Like You on the Backs of Toilet Doors”—Bring Me the Horizon

40. “Spring Can Really Hang You Up the Most”—Ella Fitzgerald

41. “A Woman a Man Walked By/The Crow Knows Where All the Little Children Go”—PJ Harvey

42. “God Bless America – And All the Beautiful Women in It”—Lana Del Rey

43. “How Could You Believe Me When I Said I Loved You When you Know I’ve Been a Liar All My Life”—Fred Astaire and Jane Powell

44. “When We Stand on Each Other We Block Out the Sun”—Fireworks

45. “You Might Think He Loves You for Your Money but I Know What he Really Loves You For It’s Your Brand New Leopard Skin Pillbox Hat”—Death Grips

46. “Snow Tha Product: Bzrp Music Sessions, Vol. 39”—Bizarrap and Snow Tha Product

47. “You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, or Any Other Domestic Shortcomings)”—Faces

48. “Don’t Sit Down ‘Cause I’ve Moved Your Chair”—Arctic Monkeys

49. “Stuck Inside of Mobile with the Memphis Blues Again”—Bob Dylan

50. “The Difference Between Medicine and Poison is the Dose”—Crica Survive

51. “Does Anybody Really Know What Time It Is?”—Chicago

52. “Get Down On Your Knees and Tell Me You Love Me”—All Time Low

53. “Life's a Lemon and I Want My Money Back”—Meat Loaf

54. “Get Out of My Dreams, Get Into My Car”—Billy Ocean

55. “Petrified Life and the Twice Told Joke (Decrepit Bricks)”—Gym Class Heroes

56. “Don’t Come Home A-Drinkin’ (With Lovin’ On Your Mind)”—Loretta Lynn

57. “When It’s All Over We Still Have to Clear Up”—Snow Patrol

58. “The Whole Thing Started with Rock & Roll, Now It's Out of Control”—Ray Manzarek

59. “Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini”—Brian Hyland

60. “Everybody's Got Something to Hide Except From Me and My Monkey”—The Beatles

61. “It Takes a Lot to Laugh, It Takes a Train to Cry”—Bob Dylan

62. “Are You the One That I’ve Been Waiting For”—Nick Cave & the Bad Seeds

63. “Elderly Woman Behind the Counter in A Small Town”—Pearl Jam

64. “Mammas Don’t Let Your Babies Grow Up to be Cowboys”—Ed Bruce

65. “The Ones That Didn’t Make it Back Home”—Justin Moore

66. “If You Can’t Ride Two Horses at Once…You Should Get Out of the Circus”—Asking Alexandria

67. “It’s A Long Way to the Top (If You Wanna Rock ‘n’ Roll)”—AC/DC

68. “Rocket Man (I Think It’s Going to Be a Long, Long Time)”—Elton John

69. “Why'd You Come in Here Lookin’ Like That”—Dolly Parton

70. “Have You Seen Your Mother, Baby, Standing in the Shadows”—Rolling Stones

71. “If You’ve Got the Money, I’ve Got the Time”—Lefty Frizell

72. “There's No Lights on the Christmas Tree, Mother, They're Burning Big Louie Tonight”—The Sensational Alex Harvey Band

73. “I Just Started Hating Some People Today”—Beck

74. “This Ain’t a Scene, It’s An Arms Race”—Fall Out Boy

75. “I'm Getting Better (And I'm Feeling It Right Now)”—The Record Company

76. “What Di I Do? / God As My Witness”—Foo Fighters

77. “It’s Not Living (If It’s Not With You)”—The 1975

78. “You Know What They Do to Guys Like Us in Prison”—My Chemical Romance

79. “I Can't Help It (If I'm Still in Love With You)”—Hank Williams

80. “Tinker Tinker Soldier Sailor Rich Man Poor Man Beggar Man Thief”—Radiohead

81. “So Long, And Thanks for all the Fish”—A Perfect Circle

82. “Tie a Yellow Ribbon Round the Ole Oak Tree”—Tony Orlando and Dawn

83. “Dead City Radio and the New Gods of Supertown”— Venomous Rat Regeneration Vendor

84. “It Hurts To Shoot Lasers From Your Fingers, But It's Necessary”— Black Moth Super Rainbow & The Octopus Project

85. “Is There Somebody Who Can Watch You?”—The 1975

86. “So You Don’t Have to Love Me Anymore”—Alan Jackson

87. “Let Me Love You (Until You learn To Learn Yourself)”—Ne-Yo

88. “We Are Never Ever Getting Back Together”—Taylor Swift

89. “Don’t Go Out into the Rain (You’re Going to Melt)”—Herman’s Hermits

90. “You and the Clouds Will Still Be Beautiful”—XTC

91. “The Ground Walks, with Time in a Box”—Modest Mouse

92. “The Remedy for a Broken Heart (Why Am I So in Love)”—XXXTentacion

93. “Some of My Lies Are True (Sooner or Later)”—Huey Lewis & the News

94. “Don’t Play No Game That I Can’t Win”—Beastie Boys

95. “Headfirst Slide into Cooperstown on a Bad Bet”—Fall Out Boy

96. “My Baby’s Got a Smile on Her Face”—Craig Wayne Boyd

97. “I'd Like to Teach the World to Sing (In Perfect Harmony)”—The New Seekers

98. “Roll Me Up With Smoke When I Die”—Willie Nelson featuring Snoop Dogg, Jamey Johnson and Kris Kristofferson

99. “A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heart Breaking Guy”—The Supremes

100. “A Lap Dance Is So Much Better When the Stripper Is Crying”—The Bloodhound Gang

Музикантите могат да изберат дълго заглавие за своето творение по много причини. Певците и авторите на песни изразяват своите мисли и чувства по безброй начини чрез музиката. С дълго заглавие на песен, групите и артистите често предават послание, което е театрално изразително и се отнася до лично преживяване. Понякога в заглавията на песните се използва странно чувство за хумор или елементи на мрачен сарказъм.

Идеята зад включването на дълго заглавие варира драстично сред музикантите. Докато при някои те се появяват естествено по време на творческия процес, други изпълнители и групи съзнателно избират този подход, за да придадат оригиналност и характер на своите произведения. Дългите формати на заглавията станаха изключително популярни в рок жанровете, особено сред алтернативните, инди, метъл и емо групите, припомня HubPages.

Някои заглавия на песни са реакция на изказвания, направени от приятел, познат или член на семейството. Такива песни често изливат емоции по театрално ясен начин. Понякога музикантите могат да се заядат с някого, като умело формулират заглавията на песните си. Друг път думите в дългите заглавия са избрани, за да предизвикат чувство на любопитство или мистицизъм. Мрачните перспективи често се показват с думи, подредени в заглавията на песните. Певците и авторите на песни могат също така да разкрият брутално честен разказ за някого или нещо. Носталгичен спомен от личния живот понякога се превръща в заглавие. Исторически събития, които са повлияли на музикантите, също се подчертават като заглавия на песни.

1. “I’m Like a Lawyer with the Way I’m Always Trying to Get You Off (Me & You)”—Fall Out Boy

2. “You Probably Couldn’t See for the Lights but You Were Staring Straight At Me”—Arctic Monkeys

3. “Hope Is a Dangerous Thing for a Woman Like Me to Have - but I have It”—Lana Del Rey

4. “(Hey Won’t You Play) Another Somebody Done Somebody Wrong”—B.J. Thomas

5. “Lying is the Most Fun a Girl Can Have Without taking Her Clothes Off”—Panic! At the Disco

6. “Honey, This Mirror Isn’t Big Enough For the Two of Us”—My Chemical Romance

7. “What If This is All the Love You Ever Get?”—Snow Patrol

8. “The Adventures of Moon Man & Slim Shady”—Kid Cudi and Eminem

9. “It’s the End of the World as We Know It (And I feel Fine)”—R.E.M.

10. “If I’m James Dean, You’re Audrey Hepburn”—Sleeping With Sirens

88. “Regretting What I Said to You When You Called Me at 11.00 on a Friday Morning to Tell Me that at 1:00 Friday Afternoon You’re Gonna Leave Your Office, Go Downstairs, Hail a Cab to Go Out to the Airport to Catch a Plane to Go Skiing in the Alps for Two Weeks, Not that I Wanted to Go With You, I Wasn’t Able to Leave Town, I’m Not a Very Good Skier, I Couldn’t Expect You to Pay My Way, But After Going Out With You for Three Years I Don’t’ Like Surprises!! Subtitled: A Musical Apology”—Christine Lavin